Banana Fish: Come for the gay; stay for the slay(ing of the US empire)
*spoilers af*
Banana Fish is a manga from the 80s that was published in a shoujo magazine (aimed at the young and teenage girls demographic) and was recently adapted into an anime in 2018. It perfectly juggles many themes, and is not praised enough as an amazingly written political love story. BF is a violent, yet warm story that was literally born out of the Cold War. It follows Ash who leads a small gang in New York. He was essentially groomed by the head of a big mafia named Dino who runs the local drug market. In terms of the political stakes, they escalate when we learned that Dino is involved with the US government in developing a dangerous drug called Banana Fish, which will be used to destabilize third world nations. The plot thickens into global imperialism lead by the US…we all need to give the creator, Akimi Yoshida, her roses.
Yoshida understands the world we live in, and so does Ash, our hot, intelligent, OP, and emotionally damaged protagonist.
The main difference between the anime and manga is that the anime takes place in 2018, losing the major context of the Cold War and how the Banana Fish drug is set to be used in multiple countries throughout the world that were fighting colonization, including Nicaragua, Honduras, etc. Yoshida is so funny but wild for portraying American government officials wanting to engineer a coup d’ etat in Honduras by claiming that there is a cadre of hard-lined Marxists originally trained in Cuba infiltrating the country . Wild af. Anyways, throughout BF, there are consistent international references made including to the Vietnam War, Cuba, Algeria, etc. Yoshida also stated in an interview that when the Soviet Union fell, it majorly impacted her writing. BF ended in 1994 while the SU fell in 1991. The world of BF is very much grounded in our world.
The changes from the manga to the anime are major and should be questioned. Some are evidence of the strong relationship the US and Japan have developed ever since the end of WWII. The original BF story challenges the idealized history us Americans are raised to learn post WWII, illuminating the callousness and brazenness of American intervention into other countries’ process of liberation. I totally recommend the manga over the anime for mainly this reason, but I have a lot more reasons. There are a lot of differences I’m not a fan of, and that’s a whole ass other article.
A lot of folks ask is BF a yaoi series? I do jokingly refer to BF as a yaoi but it isn’t. Ash and Eiji do not explicitly express sexual attraction towards each other. They share an intimate friendship and Akimi is a troll who teases potentially ~lovers ~ art of both young men outside the actual story, challenging homophobes and even the queers lmfao because I wanted to see more intimacy. I consider BF a BL story because Boys Love is an umbrella term so it should include different relationships between boys and men in the many forms it can take.
From official illustration book Angel Eyes
Part of wanting to talk about the world of BF is sharing my thoughts on the controversial ending. My hypothesis: Those who accept BF’s ending are more politically invested in our world. Basically, we accept Ash’s choice because even though it fucking hurts, we at least somewhat understand the bigger picture of international systemic oppression and why Ash believed he couldn’t escape his violent life, literally and mentally.
That ending
Shoga Yu describes this well in her video, but the ending is effectively heartbreaking because we don’t experience catharsis through other characters’ mourning or a continuation of the story as we have with past deaths. The story doesn’t go on…and it feels we can’t either. I sure haven’t. This is the first time a visual piece of art has inspired me to take some time to reflect and write on it. I didn’t really cry when I actually finished the series. Rather, I tear up a wittle when I randomly reflect on the whole series and while writing this up. It feels like real grieving in which I don’t immediately react. Then I proceed with my life, going to work and doing other mundane things. Meanwhile, I suppress all the feelings until they come out during inappropriate moments.
Anyways, I’m not saying Ash wanted to die. But, it’s clear he died with a smile on his face. For someone with a tragic story, that’s a happy ending. It’s an ending he chose despite so much of his autonomy being challenged and taken throughout his life.
Ash had been a victim to the upper echelons of society since he was a child. He was violated by men who not only had local control, but global. Remember when Ash was forced to be at a table with government officials, advising them on how to destabilize the Central America (It’s the vague middle east in the anime *rolls eyes*)? Ash begged Dino to instead let him be degraded through human trafficking as he had in his past. Dino basically responded that he knew it was harder for Ash to sell his soul to the state rather than his body.
Throughout the story, Ash continually confides in Eiji in his private moments: he is haunted by his past. Sing asked Ash if he ever regretted becoming the leader of a gang, and Ash responded, every fucking day. However, he also chose the responsibility of unifying the different gangs to collectively oppose the mafia who manipulated them into killing each other. Sing’s sister and Ash state the reality is that the cops had no power to hold Dino accountable and prevent crime amongst gangs consisting of youths. Ash had the ability to do something about it. This was a “gift” that many characters (Cain, Sing, Dino, Charlie, etc.) acknowledge and some even remind Ash. This responsibility freed him to a degree from his life as Dino’s slave, but it also made him enemies among the different gangs. Ash takes on the duty to kill Dino, but that leads to him making enemies within the mafia and the state. His platter of enemies and burden became heavier and heavier. Every time he is at peace with Eiji and enjoys his life, he is brought back to reality by violent experiences. The deadliest reminder is of course the last: Lao.
I’m sorry fans, but we have to admit: If it wasn’t Lao, it was going to be someone else. Ash knew that. I believe in that moment, he chose to live for himself and the comfort he found in Eiji’s letter for him. His end was foreshadowed several times throughout the series. Ash himself didn’t believe he’d live long. One example from the beginning is in Volume 1 when he said he preferred Hemingway’s “short and happy life” (though Hemingway died at 60 which isn’t short to me). In Volume 8, Ash is drawn to Hemingway’s story of the snow leopard who climbs to the highest mountain in Africa, Mount Kilimanjaro also known as the “House of God”, and dies there. His death was foreshadowed a little before halfway through the 19 volume series. While re-reading and re-watching BF, many signs of Ash’s struggle with mental health become more evident. Watching those moments made me think of the people I love in my life, and if I’m noticing signs. Am I recognizing my own struggles?
From Vol. 8
World of BF
Looking at America’s film history, it’s clear the Vietnam War is a huge part of American history and a major influence in our collective understanding of war, despite it not being really taught in our schools. It has been a strange experience discovering America’s obsession with Vietnam from a young age through film as a Vietnamese woman. I appreciate how the Vietnam War is consistently referenced throughout BF. Just like when I saw Jacob’s ladder and Full Metal Jacket, I’m being transported to a time I want to understand and learn from. Throughout BF, many other countries in which America has an oppressive agenda are also referenced: from Cuba and South America to the Soviet Union.
A poster for the film “A Yank in Viet-Nam” (1964)
The other real tragedy is that the people who will benefit from Banana Fish weren’t stopped. My breath stopped when Dino was shot because even someone as powerful as Dino is disposable and a pawn in the bigger picture of a global system of oppression.
I wanna hear what New Yorkers think lol, but I do feel the portrayal of America feels genuine. BF’s portrayal of race in America is fairly nuanced minus a pretty white boy being able to unite gangs of various races.
WTF is next?
I am compelled, through my adoration of Akimi Yoshida’s earnest portrayal of Ash’s and Eiji’s relationship in this fictional world that is grounded in my reality, to think about the violent country I live in. America has stifled so many people’s opportunities to experience love in all its forms, to the fullest. But I want to go beyond just thinking and take action because we all deserve a life in which we aren’t forced to make choices that don’t fulfill us.
I want to find my community around BF and other amazing BL/queer stories online and irl. I want to talk with people about queer and radical ways of loving. Additionally, I want to organize some events where fans in LA (and outside if you wanna travel) can meet up. Stay tuned and feel free to share your thoughts below.
I want to shout out the complex and divided BF community. These are some of my favorite sources of BF analyses and would love to find more. Feel free to share <3. There were more noteworthy threads from reddit, tumblr and other sites but only shared the one I can recall.
Banana Fish: A Tale of Twisted Fate → particularly sweet because the speaker connects their own personal queer experience to BF
Understanding the Reaction to Banana Fish → great breakdown on why the ending hurts so much T^TBanana Fish raised my standards for storytelling and media analysis… → Periodt!
Banana Fish: The negotiations of a show, a love story & things that hurt →Love the dedication this person has to analyzing this series













